R&B has taken a course for the worse over the past couple years. Despite immense talents (i.e Erykah Badu), many materials for many R&B have lacked depths and intellectual aspects. For this reason, many have shun away what would it an obvious and natural feeling of fondness for R&B. However, that doesn’t mean it can be a good party anthem.

Icons such as R.Kelly have made a name for themselves, not for the depth of their music, but for their natural born talent of smooth voices and fun, easy-going materials (Ignition Remix? Bump that anywhere, and people will get down.) to win people over, and was successfully might I add.

With the colossal popularity of electronic music these days, it is imperative to separate the actual talents and the wannabes, y’know, for the sake of having tastes.

There have been countless cases of incorporating R&B into electronic/bass music, and some succeeded (Pretty Lights, Gramatik, etc). but many have also failed.

Falcons is a LA-based producer that has constantly been impressing the fans of R&Bass with his brilliant execution and energetic styles, and now, he has returned with a remix EP full of BANGERS.

Introducing: FALC☯NS REMIXXES VOL. 3

Falcons has received very positive receptions to a point that Diplo’s label Mad Decent has taken notice.

This EP contains remixes of well-known R&B songs from Brandy x Monica, Ciara and J.Cole, reminding why Falcons is such a beast in the game.

It is extremely difficult for me to pick out a favorite from this EP because I am head over heels with this EP, but I would have to say it is a tie between the remixes for Tweet’s ‘Oops’ and J. Cole’s ‘Call Your Name.’

Without any exaggeration, I have been listening to these songs obsessively since the EP’s release yesterday.

Just the right amount of easy vibes of R&B with high energy trap beats topped off with a little bit of bass, this EP is one of the best releases of this Spring/Summer, and I am very excited to see Falcons getting the recognition he deserves.

WOO PARK

How to Destroy Angels - Strings and Attractors (Twin Empire Remix)

Twin Empire recently uploaded a beautifully stripped down remix of How to Destroy Angel’s “Strings and Attractors.” 

Pulsing and lush, it’s the kind of song that one gets lost in willingly. One of my favorite things about Twin Empire’s work is his subtle use of groove and transitions that keep pieces moving at a forward momentum. 

Often times the most difficult part of remixing is implanting one’s personal style into an already created idea. Twin Empire’s version of “Strings and Attractors” is the perfect combination of his own style plus the fragility and minimalism of the original song. 

You can vote for Twin Empire’s remix here.

SARA SPLITOPEN

Mary J Blige - My Love (Jett Rework)

It seems like I’ve gotten bitten by a Garage House bug.

I’ve been listening to a copious amount of garage house, more than usual I’d say (Has anyone listened to Bondax’s recent podcast for XLR8R? Obsessed.) 

Jealous Gold has been pumping out such good collections of garage house over the couple weeks, and we are about to add one more on top.

Introducing: Mary J Blige’s ‘My Love’ (Rework) by Jett.

For those who are not aware, The talented team at Jealous Gold is finishing up the newest compilation, and this track is a saucy little preview of what’s to come in Jealous Gold’s next massive underground compilation ‘Gold Vol.3’.

First, this track is, for the lack of better words, “Boiler Room-friendly”. The strong impression of a mellow, yet energetic structure of the song reminds me of the acclaimed Boiler Room scene. At the same time, the strong backbone/beats of the track allows the audience to groove and dance to it as well. 

Who would’ve thought that Mary J’s vocal would go so well with a Garage House style? The sped up vocal of Ms. Blige gels incredibly well with the sensual vibes of the garage house beats incorporated by Jett.

With this song as a little tease, I am stoked to see what the rest of the compilations will turn out to be.

“Gold Vol.3” is set to be released on June 1st, exclusively on Jealous Gold (jealousgold.bandcamp.com)

WOO PARK

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Shlohmo - Bo Peep (Do U Right) ft. Jeremih (BLK SMK NIGHTCORE EDIT)

BLK SMK makes killer beats with influences ranging from trap to jazz. His most recent Soundcloud gem is a Nightcore edit of Shlohmo’s Bo Peep (Do U Right) ft. Jeremih. 

Only recently have I heard of Nightcore, and from what I can determine it’s sped up chop n screw. There’s something maniacally addictive about it: voices approaching chipmunk levels, frenzied cut-ups, all things bouncy and foot-tap inducing. 

BLK SMK’s edit is entrancing and I’ve already added to my “yeayeayea awesome funtimes” summer jams list. 

SARA SPLITOPEN

The sounds of Virginia’s Mirror Kisses have always been electrifying and riddled with the heart of the 80’s and with the arrival of their sophomore LP, Heartbeats, this dazzling synthpop project is sure to be the talk of plenty.

It’s clear from the seemingly anthem like opening track “Runaways” that Heartbeats is soaked in sweat and passion and this larger than life attitude is carried all the way until the album ends. Now I’m not trying to play favorites here, but Mirror Kisses knows exactly how to propel himself above the increasingly populated crowd in the synthpop genre. These tracks – as if decorated in an elaborate splendor - come off as both incredibly memorable and addictive (take “Genius” and “Heart Beats Black” for example), and if the swirling, resplendent tones of each one doesn’t pull you in then the deep, engaging vocals of George Clanton certainly will.

I can’t dance, but Mirror Kisses makes me believe that I can. So regardless of if you’ve got two left feet or the dance floor is constantly calling your name, you don’t want to make the mistake of missing out on this album. Head over to bandcamp and grab it digitally for $7 or on vinyl for $14. 

JETSONLAZARS

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Triathalon is at it again. The soul surf group from Savannah made waves earlier this year with their remastered “Relationchips” EP, and now we’ve been graced with the first listen of their solid new single “She’s On My Mind.”

Feedback and crisp sticks catapult us into “She’s On My Mind.” The crunchy harmonic riffs are soon met with a tidal wave of rumbling bass and verses of “She’s in my heart lately, she’s in my bed” drenched in reverb. This is a song about indecision, not wanting to work, and freaking out about girls - a great compliment to the start of summer.

Triathalon’s B-side “Weirdo” is a stoner hula ballad to the girl that “laughs at all my jokes,” and “the only one who know’s who I am.” The mournful chorus and steady sway make for a fantastic lament on a lazy day. We can picture the love interest, but given the faceless album work, there may be multiple love interests in question (so long as they fit the Elizabeth Montgomery hairstyle - that’s Bewitched, kids). Narration of heavy instrumentation carry us out to the depths and back again. Summer has truly arrived with the release of Triathalon’s new singles. Cop the new tunes HERE.

[PREVIOUS] Triathalon articles

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BUKKWEAT BILL INTERVIEW

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From the minute we got put onto BUKKWEAT BILL; here at JG, we got everything we needed to know quickly. The catchy, friendly little loop at the beginning of “666Forever” sounds like something you’d hear coming out of an ice cream truck - but then the bass kicks in, and so does Bill. “Alright first off I’m From Florida/Shoot first, and go to trial later/ Bukkake boys, them thug niggas, them wild skaters.” Okay. Meeting adjourned - we officially fuck with the kid.

It isn’t so much the way he writes (All caps, no C’s) that makes him stand out, nor his dreds, or even face tattoos, but its his no-holds-barred attitude and brash delivery that makes you turn your head - not in a way that begs for your attention, but earns it. And of course no topic for him is off limits in his music- drug use, stints in jail, upside down crosses, probation, his baby mom’s mother hating on him, etc.

At 22, he’s already etched out a bright future in the rap game, linking up with Soulja Boy’s SODMG, and staying tight with Diplo, which through him, Bukk got himself management by the affiliated tag-team duo of Lil Government X Lil Internet to form Lil Agency. He recently, dropped his debut EP, ‘8666.’ It’s nearly entirely self-produced, with dark, booming beats that pair perfectly with his lyricism. Stand out tracks like “Paper or Plastik” “Lizzy Borden” and “For Nuttin” serve as a testament to this.

Between shooting videos, making music, plotting career moves, and being in the hospital as he just had his first child brought into the world, somehow Bukk was able to talk to us about his music, fatherhood, & what animal he would be. And although he’s self-aware “Mama, I need to slow down, I drink lean on a high speed” - it doesn’t seem apparent he’s pumping the breaks anytime soon.

Interview by Kyle Rich (K A RICH)

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FORTUNE 420: AN SPF420 CONCERT EVENT

http://tinychat.com/SPF420

Ever since it’s inception late last year, the internet based audio experience known as SPF420 has introduced dozens upon dozens to the aesthetically and aurally pleasing genre known as vaporwave and gained quite the following of music lovers (and makers) in the process. The last event, which was held on March 20th, featured artists such as Magic FadesContact LensVektroid and more, and despite the night receiving some unfavorable attention from hackers it still proved to be memorable and thoroughly entertaining for its laptop bound audience. This time around, with the help of Fortune 500, SPF420 is doing things bigger and bringing together Fortune 420, its first in a series of concerts. The event will include Saint PepsiESPRIT 空想ショッピングワールドjp회사AUTO, and WINDOW so if you want to be there to catch all of the magic be sure to swing by the tinychat party at 10pm.

JETSONLAZARS